Welcome to my Writing Adventure

Month: April 2023

A Necessity For Mutiny?

It seems to me that there is something inherently corrupt in how the upper eschelons of Starfleet operate. It perpetually has rogue Admirals, whether power hungry on their own or subverted by outside aliens. These Admirals all seem to wield enormous power. Plans for genocide, experimenting with technology made illegal by treaty, conspiring with the enemy to prevent peace talks, and facilitating the destruction of Earth itself. One wonders what the “good” Admiralty is doing beyond twiddling their thumbs (or thumb-equivalents). It practically requires that there are always a handful of Captains and crew who have strong moral compasses and a willingness to challenge authority when it serves a greater good. Nearly every crew featured in a series is full of rule-breakers and those willing to step outside the lines. It’s been going on since Archer’s days and continues unabated through the 35th century. Starfleet and the Federation continually has its bacon saved by crews of individual ships.

(Yes, it’s an product of the writing, you don’t need to tell me that. But it does make for a very strange fictional power structure.)

Character Deep Dives

I’m finding myself diving deeply into my characters’ backstories as I do the prep work for the novel I’m planning. For my typical action-oriented stories of novels past, a page or two of notes has usually been sufficient (or so I’ve thought). Since this novel’s main story is heavily influenced by romance novel tropes and structure, I figured I needed to know more about each of my three main characters, the two love birds and the evil person determined to obliterate a star system. (Oh, it’s primarily conceived as a space opera, in case that wasn’t clear before now.) Each of the two protagonists have elicited 5000 and more words of backstory and personality notes, and the villain is threatening to exceed that amount. The further I go, the more I have “aha!” moments about them, and the more complex they get. (For example, during today’s writing I “discovered” that the name of one of my protagonists is an assumed name, something I had never considered before, but which gives him additional depth and secrets to protect.) I usually am too eager to start writing the novel but find myself having large gaps in my novel outline, especially in the “muddy middle.” “Something happens here!” But as I add depth to my characters, certain scenes suddenly demand to be added to my outline. I’m totally fascinated by this.

Thoughts on a Polite Society

An armed society is a polite one!

Ralph Yarl shot in the head after mistakenly ringing the doorbell at the wrong house.

An armed society is a polite one!

Kaylin Gillis killed after pulling into the wrong driveway by mistake.

An armed society is a polite one!

Two Texas cheerleaders shot after one mistakenly got into the wrong car.

As the number of guns in our society skyrocket, I just have to ask: When the FUCK do we get to the POLITE part of the aphorism frequently quoted by gun lovers? When did making simple mistakes, mistakes all of us make at one or more points in our lives, become a crime punishable by being shot at or even killed?

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